Fusion and Node-based Compositingįusion was for many years a top node-based visual effects compositing software application. To create our composite shot, we’ll be using the Fusion page in DaVinci Resolve. So if it seems like I may have glossed over a click or two…I did. This is not a product review, nor is it a deep dive into every detail of Resolve’s functionality - instead we’ll focus on the concepts of real-world Resolve use to create cinematic Virtual Reality experiences. Through a series of acquisitions (Da Vinci Systems’ Resolve in 2009, eyeon’s Fusion in 2014, and Fairlight in 2016), Blackmagic Design has been assembling what may be the “killer app” of digital post-production, providing a truly integrated workflow including editing, VFX, color grading, and audio. How do you finish up the shots? Enter DaVinci Resolve So - the boots of the cast and crew are no longer on the ground, and post-production deadlines are looming. Whereas with traditional digital video you can hide a lot of trickery “behind the camera”, 360° video gives you no such haven. Most of these trade-offs play out in post-production. When shooting 360° video, everything is in frame, so everything becomes a trade-off. There’s just one problem…how do you remove all that stuff from the frame that you don’t want? So…you’ve got your hands on a fancy 360 ° video camera, captured your footage, done your stitching, gotten your edit to picture lock.
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